Iran Meched : 2,93 x 1,96 m

Iranian Kurk wool rug, cotton warp and weft, circa 1950. Very good condition. Very solid carpet. Can withstand intensive use.

Beautiful traditional Méched in mianfarsh format consisting of a central medallion and four spandrels, where we appreciate the arabesques with elegant curves. Colors in raspberry tones are typical of these creations. The field of the carpet is dotted with flowers and foliage. Seven borders with motifs of 'boteh*', foliage and flowers (samovari or herati) frame the field of the carpet.

Méched or Mashad is the capital of Khorasan, northeastern Iran. Khorasan is the most important region of Iran. Méched is a city whose first carpet productions were made during the Safavid dynasty (1501-1732) and more precisely at the request of Shah Abbas (1588-1629). Production was interrupted in the 18th century and resumed in the 19th century. The vast majority of Meched were predominantly raspberry pink, but some were also made in shades of blue called "peacock feather".
Note: At the beginning of the 20th century, Reza Pahlavi Shah ordered from the Master weaver (Ustad) Amoghli prestigious carpets in Kurk wool which could have a density of one million stitches per square meter. Amoghli was a native of the city of Tabriz but decided to settle in Méched in particular because of the quality of Khorasan wool.

*Boteh: Ancient pattern with different meanings. It can represent the transformation of Zoroaster into a cypress tree, symbol of eternity, but also into a drop of water, into a palm, into a tree. The term boteh means “flowering bush” in Persian. There is a similarity with yin and yang.

Iran Kashan : 3,00 x 2,00 m  Sold

Iranian kurk wool rug (fine lamb's wool), cotton warp and weft, circa 1950. Very good condition. Strong and durable rug that can withstand heavy traffic.

A city in central Iran, kashan production began during the Safavid dynasty (1501-1732) and particularly under the reign of Shah Abbas. Very beautiful traditional kashan with medallion, in mian farsh format, reminiscent of the academic achievements of the Safavid dynasty (1501-1732). Under the reign of Shahs Abbas (1588-1629), schools were created to train Ustads (Master weavers) who made carpet designs. The designs were inspired by the Persian tradition by reproducing hunting scenes, gardens, roses, trees, mosaic patterns or bas-reliefs (Persepolis) ...

This kachan is the perfect example of this tradition. In the center, two blue and beige medallions are inserted into a navy blue medallion. Four spandrels, reminiscent of the central medallion, as well as borders with the 'herati' or 'samovari' (flower) motif frame the field of the carpet, which is composed of a multitude of flowers and foliage on a deep red background.

Kashan Iran : 1,38 x 1,04 m

Iranian wool kurk* rug, cotton warp and weft, circa 1950. Very good condition.

City in central Iran, the production of kashan began during the Safavid dynasty (1501-1732) and particularly under the reign of Shah Abbas.

Superb Kashan rug with a traditional pattern on a plain red background (kafzadé) with nuances. This rug is a fine example of the mastery of the weavers of the city of Kashan. In the center, two sky blue and beige medallions are inserted into a navy blue medallion. Four spandrels, reminiscent of the central medallion, as well as borders with a 'herati' or 'samovari' (flower) pattern frame the field of the rug.
* Kurk wool: fine lamb's wool collected by combing. Strong and durable wool.

Kashan Iran : 2,15 x 1,42 m

Iranian wool kurk rug*, cotton warp and weft, circa 1950. Very good condition.

This richly worked Kashan rug features a traditional pattern. A central medallion and four darker spandrels stand out against a pronounced vanilla background. A floral motif is prominently featured on the rug's border and field.

Note: the rug is signed twice.

*Kurk wool: fine lamb's wool collected by combing.

A city in central Iran, the rug-making process began during the Safavid dynasty (1501-1732) and particularly during the reign of Shah Abbas (1588-1629). Schools were established and Ustads (master weavers) created rug designs. The designs were inspired by Persian tradition, reproducing hunting scenes, gardens, roses, trees, mosaic patterns or bas-reliefs (Persepolis) ... These creations were found in the cities of Kashan, Tabriz, Isfahan, Meshed, Kerman.

Kashan Iran : 2,95 x 2,00 m

Iranian kurk wool rug (fine lamb's wool obtained by combing), cotton warp and weft, circa 1950. Very good condition. A solid and durable rug.

A beautiful and elegant Kashan (or Kachan) rug, in a "mian farsh" format, with a traditional and timeless motif reminiscent of the academic works of the Safavid dynasty (1501-1732). Against an ivory background, a medallion, richly worked gray spandrels and borders stand out, enhanced by a multitude of floral motifs. 

During the reign of Shah Abbas (1588-1629), schools and workshops were established where Ustads (Master Weavers) produced rug cartoons. The designs were inspired by Persian tradition, reproducing hunting scenes, gardens, roses, trees, mosaic motifs, and bas-reliefs (Persepolis). These creations could be found in the cities of Kashan, Tabriz, Isfahan, Mashhad, and Kerman.
From 1936, at the initiative of Reza Pahlavi Shah, until the mid-20th century, the Iranian state established a subsidized institution to preserve ancient and traditional designs. These carpets are called 'Sherkat Farsh,' which can be translated as 'state carpets,' and this institution helped safeguard and transmit the know-how and tradition of Persian carpet making.

Kashan Iran : 2,96 x 2,00 m

Iranian wool kurk* rug, cotton warp and weft, circa 1950. Very good condition.

Elegant Kashan (or Kachan) with a traditional and timeless pattern reminiscent of the academic achievements of the Safavid dynasty (1501-1732). On an ivory field stand out a rosette-shaped medallion, spandrels and gray borders, enhanced by a multitude of floral motifs in shades of mauve, red, beige, ... Borders with a motif (herati' or 'samovari' (flowers) frame the field of the carpet.
* Kurk wool: fine lamb's wool collected by combing.

Kashan Iran : 2,40 x 2,04 m

Iranian kurk wool rug (fine lamb's wool), cotton warp and weft, circa 1950. Very good condition.

Interesting format for this Kashan rug with a traditional pattern. In the center, a rounded navy blue medallion inserts a beige medallion. Four spandrels recall the central medallion. A wide border with a 'herati' or 'samovari' (flower) motif frames the field of the rug, which is composed of a multitude of flowers and foliage on a deep red background. 

Iran kashan : 2,10 x 1,45 m

Iranian rug in kurk wool (fine lamb's wool), cotton warp and weft, 1960-70. Very good state. Beautiful achievement. Strong and durable mat.

Beautiful traditional medallion kashan, in dozar format, recalling the academic achievements of the Safavid dynasty (1501-1732). During the reign of Shah Abbas (1588-1629), schools were created to train Ustads (master weavers) who made carpet cartoons. The designs were inspired by Persian tradition by reproducing hunting scenes, gardens, roses, trees, mosaic patterns or bas-reliefs (Persepolis)…

This kashan is the very example of this tradition. In the center, two sky blue and beige medallions are inserted in a navy blue medallion. Four spandrels, reminiscent of the central medallion, as well as borders with a 'herati' or 'samovari' (flower) motif frame the field of the deep red carpet, which consists of a multitude of flowers and foliage.

Iran Kashan : 3,54 x 2,54 m

Iranian Kurk* wool rug, cotton warp and weft, circa 1950. Very good condition. Strong and durable mat. Beautiful patina.

Very beautiful traditional medallion kachan, in mian farsh format, recalling the academic achievements of the Safavid dynasty (1501-1732). Under the reign of Shahs Abbas (1588-1629), schools were created to train Ustads (Master Weavers) who made carpet cartons. The designs were inspired by Persian tradition by reproducing hunting scenes, gardens, roses, trees, mosaic or bas-relief motifs (Persepolis).
*Kurk wool: fine lamb wool collected by combing. Strong and durable wool.

Iran Naïn : 1,95 x 1,15 m

Iranian rug, kurk wool* and silk, silk warp and weft, circa 1970. Very good condition. Note: the colors have faded slightly on one side.

This beautiful Nain Sheshla rug features a traditional medallion motif on a navy blue background, surrounded by flowers, scrolls, and botehs** in beige and hazelnut. A richly worked beige border is framed by two smaller hazelnut borders. A rust-colored edging borders the rug.

The city of Nain is located approximately 150 km east of Isfahan. The first creations began around 1930, inspired by Isfahan carpets. Legend has it that the city of Nain was founded by one of Noah's sons, Naen.

There are different qualities of Nain carpets:
- The first is commonly called "Nain tabbas." These are standard carpets that can be beautiful and of good quality, but sometimes unfortunately mediocre (some are made in Khorasan and still bear the name "Nain").
- The second quality is called "Nain nohla": nine strands of cotton make up each warp thread. These are well-made rugs that remain affordable in sizes of 6 or 9 square meters compared to the following quality.
- The third quality, like this one, is called "Nain chichlah or sheshla": six strands of cotton or silk make up each warp thread. These are very fine rugs.
Note: near Nain, the rugs from the village of Tudeshk are inspired by Nain rugs and are renowned for their high quality.

The pile of Nain rugs is made of Kurk wool and silk, the latter highlighting the details of the designs and motifs. This technique is called "gharty."

* Kurk wool: fine lamb's wool obtained by combing. Strong and durable wool.

** Boteh: An ancient motif with various meanings. It can represent the transformation of Zoroaster into a cypress tree, a symbol of eternity, but also into a drop of water, a palm tree, or a tree. The term boteh means "flowering bush" in Persian. There is a similarity to yin and yang.

Ghoum Iran : 3,00 x 2,00 m

Iranian kurk wool rug, cotton warp and weft, circa 1950-60. Very good state.

The realization of this ghoum is typical of the workshops of the 50s and 60s.
On a navy blue background stand out various bouquets of polychrome flowers around a carmen red oval medallion. A wide border with a floral motif and on a carmen red background is framed by two small turquoise borders with a "herati" (flower) motif. Beautiful achievement. Strong and durable mat.

The city of Ghoum or Qum is located about a hundred kilometers south of Tehran. The first achievements began in the 20-30s, inspired by the achievements of the Safavid dynasty of the cities of Kashan, Tabriz, Ispahan.

Iran Ghoum : 2,06 x 1,35 m  Sold

Iranian carpet in kurk wool (fine lamb's wool) and silk, cotton warp and weft, circa 1950. Good condition. Some minor wool losses (see photos). Restoration of stopping points and borders in our workshop. Strong and durable mat.

The city of Ghoum or Qum is located about a hundred kilometers south of Tehran. The first projects began in the 20s and 30s, inspired by the achievements of the Safavid dynasty of the cities of Kashan, Tabriz, Isfahan.
Beautiful academic rug with an elegant and refined pattern, in dozar format, requiring great mastery in its creation. Beautiful balance of colors and patterns: flowers and foliage. In the center, a navy blue and beige medallion stands out from a red background which is itself highlighted by an ivory background. A slate blue border is framed by two small 'herati' (flowers) borders.

Iran Tabriz : 1,60 x 1,10 m   Sold

Iranian rug, kurk wool* and 1% silk, cotton warp and weft, circa 1970-80. Very good condition. A sturdy and durable rug.

A harmonious combination for this beautiful Tabriz rug in zaronim format, featuring a traditional and timeless medallion design. Four spandrels and intricately worked borders frame the rug's field, which includes a multitude of flowers, scrolls, and botehs**. Bright and vibrant colors. Great skill is evident in the creation of this luminous Tabriz rug.

Located in Iranian Azerbaijan, in northwestern Iran, the city of Tabriz dates back to 791 AD. It gained importance from the 10th century onward due to its climate and strategic location. The main seat of the Seljuks (a tribe from eastern Turkey) in the 11th century, it was later chosen as the capital by the Mongols. Art and culture flourished in Tabriz: a library, a painting school, and more. In 1392, Timur (Tamerlane) conquered Tabriz. Over the decades and through numerous changes, the city of Tabriz became a magnificent city. In 1502, Ismail I, founder of the Safavid dynasty (1502-1736), made Tabriz his capital.

The art of carpet weaving in Tabriz dates back to ancient times and developed over the centuries. The finest and most significant academic achievements date from the reign of Shah Abbas (1588-1629) and were produced in the cities of Kashan, Kerman, Mashhad, Isfahan, and Tabriz. From the late 19th century until the 1930s, European companies established themselves in Tabriz, attracted by the skill and reputation of Tabriz's weavers.

* Kurk wool: fine lamb's wool obtained by combing. Strong and durable wool.
**Boteh: An ancient motif with various meanings. It can represent the transformation of Zoroaster into a cypress tree, a symbol of eternity, but also into a drop of water, a palm tree, or a tree. The term boteh means "flowering bush" in Persian. There is a similarity with yin and yang.

Iran Tabriz : 0,96 x 0,71 m

Iranian wool rug, cotton warp and weft threads, circa 1960. Very good condition.

Elegant Tabriz in zarsharak format reminiscent of Kerman carpets in its graphics. On a plain salmon background (kafzadé), a flowered medallion stands out. A border on an ivory background, incorporating four spandrels, takes up a motif of vases and roses (göl farang).

Moud Iran : 2,49 x 1,99 m   Sold

Iranian wool and silk rug (1%), circa 1980. Very good condition. Beautifully made. Nuances in the colors and patina.

Traditional box-weave moud, inserting elegant motifs such as weeping willows, trees, botehs*. The main border, on an orange background, features motifs of birds, butterflies and deer. The göl-e-bölbül motif (the nightingale and the flower) is found in the small blue borders, which surround the main border. A lot of attention has been paid to the making of this rug. Please note: two small, discreet stains (see photos).

Rugs from Khorasan, Northeast Iran, are among the most appreciated creations by rug lovers. The "garden" or "four seasons" motif, which was originally made on the "tabriz" during the Safavid dynasty (1501-1732), and more precisely during the reign of Shah Abbas (1588-1629), is found on the "bakthiar", the "ghoum" as well as on the "moud".

*Boteh: An ancient motif with different meanings. It can represent the transformation of Zoroaster into a cypress, symbol of eternity, but also into a drop of water, a palm tree, or a tree. The term 'boteh' means "flowering bush" in Persian. There is a similarity with yin and yang.

Veramine Iran : 2,79 x 2,03 m

Iranian wool kurk rug, circa 1970. Good condition, some old restorations (see photos). Borders and stop stitches restored.

Beautiful Véramine on a blue background, in mianfarsh format in kurk wool (fine wool taken by combing from the necks of lambs). This great classic is made with the 'mina khani' motif (daisy motif). Four small "hérati" borders frame a wider border featuring the "samovari" and boteh* motifs. These five borders highlight the entire rug. It is becoming difficult to find Véramine rugs in this dimension.

*Boteh: Ancient motif with different meanings. It can represent the transformation of Zoroaster into a cypress, symbol of eternity, but also into a drop of water, a palm tree, or a tree. The term boteh means "flowering bush" in Persian. There is a similarity with yin and yang.

Iran veramine : 2,15 x 1,60 m   

Iranian wool rug, 1950-60. Cotton warp and weft. Good condition. Strong and durable mat.

Located in the south-east of Tehran, the small town of Véramine produced rugs most often using the timeless 'mina khani' (daisy motif) motif, an interpretation of the 'herati' or 'mahi' motif.

Harmonious combination of colors for this veramine with original graphics including a central medallion on a red background, inserted in an ivory medallion. In the borders, various "cartridges", take again floral motives, but also, animal representations (weasels, or ferrets).

Sarough djosan Iran : 1,58 x 1,03 m

Iranian rug from the Arak region, kurk* wool, cotton warp and weft, circa 1950. Very good condition. Fine workmanship. Strong and durable rug.

Located southwest of Malayer, the Djosan are inspired by the creations of Sarough rugs. Thanks to the quality of the water in this region, the washing of the wool allows for excellent results (shine and colors). Sarough Djosan are held in high esteem for their quality wool, designs and colors. These rugs have different decorative motifs such as medallions but most often based on a floral theme.

A lot of work and mastery went into the making of this zaronim-sized rug. A central medallion, including 'boteh'** stands out against a plain navy blue background (kafzadé), surrounded by floral motifs. In the spandrels as well as in the borders we find a multitude of flowers and scrolls.

* Kurk wool: fine lamb's wool collected by combing. Strong and durable wool.

** Boteh: Ancient motif with different meanings. It can represent the transformation of Zoroaster into a cypress, symbol of eternity, but also into a drop of water, a palm tree, or a tree. The term boteh means "flowering bush" in Persian. There is a similarity with yin and yang.

Sarough Iran : 1,30 x 0,64 m   Sold

Iranian rug from the Arak region (southwest Iran), kurk wool*, cotton warp and weft, circa 1960-70. Very good condition.
Beautifully made.

Elegant Sarough (or Sarouk) rug featuring the 'Zi il sultan'** motif on a red background. A multitude of flowers and scrolls, some forming 'boteh'***, create a beautiful harmony. A border on a beige background frames the rug's field.

*Kurk wool: fine lamb's wool, obtained by combing. Strong and durable wool.
**Zi il sultan: a motif of Persian origin representing a vase of flowers with a bird on each side.
***Boteh: An ancient motif with various meanings. It can represent the transformation of Zoroaster into a cypress tree, a symbol of eternity, but also into a drop of water, a palm tree, or a tree. The term boteh means "flowering bush" in Persian. There is a similarity with yin and yang.

Iran sarough : 2,88 x 0,85 m

Iranian rug from the Arak region, wool, cotton warp and weft, 1970-80. Very good state.

Beautiful khenareh format sarough. On a salmon pink background, a multitude of flowers, leaves and foliage stand out harmoniously. Two small blue borders and an ivory with floral motifs enhance this rug in soft colors.

Iran sarough : 3,10 x 0,85 m

Iranian rug from the Arak region, wool, cotton warp and weft, 1950. Very good condition. Beautiful achievement. Strong and durable mat.

Beautiful patina for this sarouk (or sarough) in kenareh format. On a salmon pink background, a multitude of flowers, leaves, scrolls and a few botehs stand out harmoniously. Different borders, more sustained, with floral motifs, enhance this rug in soft colors.

Iran sarough : 2,96 x 0,79 m

Iranian rug from the Arak region, wool, cotton warp and weft, circa 1970. Very good condition. Great achievement. Strong and durable mat.

Elegant sarough rug in kenareh format, composed of floral motifs on an ivory background.
Saroughs are rugs held in high esteem for their quality of wool, designs and colors. These rugs have different decorative designs like medallions but most often based on a floral theme like this one.

Iran sarough : 2,10 x 1,36 m

Iranian carpet from the Arak region, kurk wool, cotton warp and weft, 1960. Very good condition.

Beautiful patina for this traditional and timeless sarouk in dozar format. A lot of attention in its realization reminiscent of the American sarouks. On the field of the carpet, elaborate floral motifs surround a discreet medallion. A border worked on an ivory background, with floral motifs, frames this elegant sarouk. This sarouk shows the refined work and sensitivity of Persian weavers.
Sarouks, known as "American sarouks", were exported to the USA for American demand. They had the particularity of having a thicker pile.

Iran Sarough : 1,50 x 1,10 m

Iranian rug from the Arak region, wool, cotton warp and weft, 1970. Good condition.

Elegant sarouk or sarough in zaronim format, with a floral design typical of academic achievements from the beginning of the 20th century. On an ivory background, a multitude of flowers and foliage stand out. The main border composed of flowers, on a pink background, highlights the area of the carpet. Four small, delicate borders frame the main border.

Iran sarough : 2,36 x 1,65 m

Iranian rug from the Arak region, kurk* wool, cotton warp and weft, 1970-80. Very good state. Strong and durable mat.

Sarough (or sarouk) on a navy blue background consisting of bouquets of polychrome flowers. A border on a beige background enhances the field of the carpet. This carpet is a perfect example of the know-how of the weavers of the Arak region.
* Kurk wool: fine lamb's wool taken by combing.

Iran sarough djosan : 2,17 x 1,40 m   Sold

Iranian rug from the Arak region, wool, cotton warp and weft, 1960-70. Very good state.
Strong, durable and comfortable mat.

Located southwest of Malayer, the djosans are inspired by the achievements of Sarough carpets. Thanks to the quality of the water in this region, wool washing provides excellent results (gloss and colors). This carpet, with an academic motif, is inspired by the influence of central Persia. The floral decoration is very similar to that of the "sarouk". Can withstand heavy traffic.

China Beijing (Pékin) Hankung : 1,88 x 1,22 m

Chinese wool rug, cotton warp and weft, circa 1980. Very good condition. Strong and durable mat. Beautiful achievement.

In the 1980s, a new production in the Beijing workshops was inspired by Persian rugs. The appellation was "Hankung". These rugs were made with excellent quality wool and tight knotting. The aim was to compete with Oriental rugs by imposing themselves on Western markets.

This dozar-size rug is inspired by academic Iranian rug designs. The central medallion as well as the field are reminiscent of an ispahan as for the main sky blue border, of a kerman lavar. It is sporadic to find 'Hankung', because to our knowledge the production has ceased.